Arbori

by Tàlveg

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1.
Silferep 05:53
2.
Kneeu 01:07
3.
Volx 03:57
4.
Hipsodis 00:51
5.
Zenclat 07:06
6.
Rerfront 02:37
7.
Gosurc 07:36
8.
Gwret 01:53
9.
Haout 00:55
10.
Aposkip 08:37

about

Arbori (arboreal)

är-ˈbȯr-ē

1: of, relating to, or resembling a tree
2: inhabiting or frequenting trees

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"Arbori" is Tàlveg's first long play album.

A 10 piece oratorio which comes after "Ses-Sens", their first 4-track EP debut.

credits

released June 27, 2020

Marcel·lí Bayer, baritone saxophone
Ferran Fages, electric guitar
Oriol Roca, drums

Recorded by Santi Careta and Adrià Serrano on December 19th and 20th, 2019 at Santa Eugènia de Relat, Avinyó

Mixed by Juan R. Berbín
Mastered by Marcel·lí Bayer

Cover photography by Marcel·lí Bayer
Band photography by Alexandra Garzón

Album design and Tàlveg's logo by Josema Urós

Special thanks to Eduard Márquez

Produced by Tàlveg


*The album download includes the bonus track "Radar-Còrtic" in video format

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INTERVIEWS

Marcel·lí Bayer talks about Tàlveg and more
beatsforpeeps.com/2020/11/04/marcel·li-about-talveg-we-do-try-to-think-more-in-creating-landscapes-and-textures-more-than-in-an-exposition-rising-climax-falling-action-narrative-structure/


REVIEWS

"One of the most interesting new trios on the European Avantgarde Scene" (Maciej Lewenstein, PL)

"Thinking that Arbori is their first full album as Tàlveg, the listener gets the feeling of urgency and importance." Fotis Nikolakopoulos, The Free Jazz Collective, freejazzblog.org

"W uszach dudni nam wspomnienie najlepszych lat nowojorskiego Sonic Youth." / "The memories of the best years of Sonic Youth in New York rumble in our ears." spontaneousmusictribune.blogspot.com

"Tiefen des Gutturalen werden ausgelotet. Und schließlich steuert alles auf eine Eruption hin." / "The depths of the guttural are explored. And finally everything is heading for an eruption". Ferdinand Dupuis-Panther, jazzhalo.be

"The notes seem to come into existence only to live a life of torture and agony, flowing between realms as fluidly as luminiferous æther. The result is an entrancing and bewildering forty-minute experience you ought to live for yourselves!" canthisevenbecalledmusic.com

"These guys know exactly where they are and what they’re doing – they know the architecture and ambience they’re creating: the vast halls of silence illustrated by a single harmonic, the groaning bari-ous vistas, the flocks of cymbals across a distant sky, the brutal (dis)storms… They know exactly where they are. Their world. Their landscape. Created, filled, and offered with a yin/yang gesture of grace and ugliness." Dave Foxall, ajazznoise.com

"Tàlveg explores mysterious and unsettling, cinematic soundscapes, and often opt for sparse, implied gestures that leave enough space – literally – for breath and imagination." Eyal Hareuveni, salt-peanuts.eu

"Ook in een ten opzichte van de ep langer tijdsbestek (41 minuten) blijft de muziek van Tàlveg intrigeren. De muzikanten borduren wel voort op Sens-Sens maar maken niet nogmaals dezelfde plaat. Ze breiden het muzikale palet uit, zonder dat afbreuk wordt gedaan aan het kenmerkende geluid van het trio. Door de veelal ingehouden spanning is de luisterervaring een opwindende. Prachtig album." / "Even in a longer time frame (41 minutes) compared to the EP, Tàlveg's music continues to intrigue. The musicians build on Sens-Sens but do not make the same record again. They expand the musical palette without detracting from the trio's signature sound. Because of the often restrained tension, the listening experience is an exciting one. Beautiful album." Gert Derkx, opduvel.com

"On préfère vous prévenir que les 3 musiciens sus-cités ne dessinent ni n’installent de tracés ou de chemins dans leur musique. Ils explorent, défrichent, parfois même déboisent à coups de cris, de frottements, de grattements. Libre à vous de vous frayer un passage mais on vous assure que le paysage improvisé/sculpté par les 3 compères est à couper le souffle." le-grigri.com

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Tàlveg Barcelona, Spain

"Tàlveg explores mysterious and unsettling, cinematic soundscapes, and often opt for sparse, implied gestures that leave enough space – literally – for breath and imagination." (Eyal Hareuveni)

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